Archive for storytelling

Are Audiences Stupid? Why Dumbing Down is a Dumb Thing to Do

In my decades-long video and meeting production career, there was one phrase that sent chills down my spine:

“Close enough for government work.”

This was another way of saying, “Good enough for those stupid people”, or “This audience doesn’t deserve my best work, or “I want to go home.”

What it said to me about that employee or colleague was that he or she didn’t care– about the audience or their own integrity. And that shortsightedness came from a stereotype of the average viewing audience: They’re impatient, stupid, and need everything spoon-fed.

Wow.

I mean, wow.

Is there any chance that these producers were right? Simply, are audiences stupid?

Look in the mirror. Are you?

The answer is no. Just because an audience doesn’t know the difference between a Red camera and a DVcam; Klieg lights vs. Kino-flo’s, or iambic pentameter from Mother Goose doesn’t mean they don’t know what is good. They are the audience. They are the biggest group of critics around, and they know what they like.

They like stories.

In Hollywood, they approve with their dollars. In business, they approve with action, commitment, or a bit of both.

They are us; we are they– if it’s too complicated for us, its too complicated for them. If it’s intriguing to us, it’s intriguing to them.

Examples? Christopher Nolan; Orson Welles; M. Night Shyamalan. Their work challenges the audience and keeps them intrigued.

Corporate examples? Videos that don”t preach, meetings that don’t pander, speeches that reduce the PowerPoint to clear, illustrative, intriguing pictorial elements.

Why simply say “We need better customer service” in a video, when kids in a Lemonade Stand can better or more arrestingly tell “the story?”

Why preach about miscalibrated machining equipment and the resultant costs when you can produce a film-noir-like mystery?

Why have the CEO of a corporation sit at his or her desk and lecture on building brand loyalty when interviews with real customers can make that case more convincingly and more humanly?

It’s the story, stupid.

Even the stupid audience knows that.

Tribute Video “How-To” Book Now Available

Tribute Videos are videos that celebrate a person, couple, group, or institution. They can be engagement videos, anniversary videos, memorials, retirement videos, milestone birthday videos, company histories, leadership stories, school reunion stories, award-winner portraits, and more. They are at home in the living room, rec room, boardroom or ballroom.

Tribute videos are how I got my start. (See “AVSquad” in the links.) And they remain the most satisfying of the work that we do. There is nothing like telling a people story.

A lot of people are into video these days, some as a hobby, some as a potential profession, some as part of their job duties. There is a perception that video is easy, thanks to point and shoot miniature cameras, computer editing, and thousands of tipsters on-line telling you how easy it is and selling something– usually hardware.

But hardware is only part of the problem, and hardware and editing software are covered pretty readily via training web sites, DVD lessons, and more.

No one is training people on how to tell a compelling story. How to interview, how to move pictures, how to choose music, how to pace videos, how to get a visceral reaction from an audience!

That’s where “Tribute Videos for Love & Money” comes in.

Tribute Videos for Love & Money

Tribute Videos for Love & Money

It’s an ebook that details my communications beliefs and systems. If you like samples of my work, and you want to know how and why certain creative decisions were made, this is the place to start. It concentrates on the “Tribute” people story type of video, but frankly, if you can tell that kind of story, there isn’t much you won’t be able to do as you grow your capability or career.

For more information, go to videostoryschool.com.

I hope you like it and find it valuable.

Bad Idea #2: Not Budgeting for the Video

If you are a corporate marketing services buyer, you might already be budgeting for video. But if you are a marketing manager, or sales manager, or fund raiser, perhaps you aren’t. Meeting planner? Sometimes. Training Department. Yes, probably. Really, every situation is different.

Throughout my career, I’ve heard time and time again, “We didn’t budget for this…”, as if that was sufficient justification for me to cut prices.

But of course, as the exception, you know it doesn’t work that way. When there’s a line item foer the kind of thing we do in your approved budget, things move along a lot faster, and without additional justification to upper management. So you’re good to go, the minute you’re ready and the demand is there. (Your bosses like to see action, after all… how does that go– “Look busy”?)

Budgeting a video is a tricky process, because it’s all based on the amount of footage you shoot, and the kind of footage you shoot. Controlled, short (one or two days) shoots make for controlled, reasonably fast edits… perhaps this is a new product video and it’s mostly close-up tabletop work.

A history of the company, or a plant tour, or an overview of the entire operation may be a different story. Multiple shooting days, or weeks, combined with a desire to tell the best story ever about OUR GREAT COMPANY, Inc., will conspire to drive the price up. Not unreasonably, mind you– it’s all about the time it takes to do the job.

I’m convinced that professional buyers know what professional video producers and agencies need financially to do a job that meets the buyers’ expectations. I’m also convinced that when the project has not been budgeted for, they will find it necessary to “negotiate”. The problem is that this may eliminate the most credible and accomplished vendors. The  buyer is willing to make that sacrifice because they don’t want to go to the boss with an unbudgeted expenditure, and the lower the expenditure, the less the job impact. But what is sacrificed?

What about the positive impacts on your career? When you hire the right creative video producer, you’re often on your way to having a major message impact on your company (really, call and I’ll give you examples.)  And that can mean big things for you. Budget shouldn’t get in the way. And it won’t, if you’ve thought ahead.

The smartest buyers I’ve worked with investigate the cost of various kinds of projects before budgets are submitted. Granted, for the production company, that might be frustrating because it can mean a 4 or 6 month wait before anything gets going. But when it gets going, you won’t be playing a game of sticker shock driven ” I didn’t budget for that”, “well, maybe we can cut out some graphics”, “can you do this cheaper and we’re pay you more on the next job”, et. al.

You can do the job that will accomplish your goals, get you applause and recognition, impact the company’s bottom line, and impact yours as well.

That’s why we do no obligation creative proposals. We scope out the video or multimedia project or website or meeting, define as much as we can, and quote a turnkey “put it in the budget” figure.

You have to start somewhere. It might as well be ahead of the curve. That puts you a couple of major step closer to success.

Swine Flu 2: Electric Boogaloo (more spots)

Here’s a few more samples of the spots we did for the 1976 Swine Flu panic (actually an album of all three) from our Vimeo album.

How to Produce a Video on the Cheap. And, Yes, a “Good” Video.

Video is one of those rare fields that has had a total reboot. It has not been supplanted, replaced, superseded, obsoleted, or died.

It flailed for a bit, while the doctors tried to find what about the web made its parents think it was going to die.

But then Dr. House entered, and declared, “Ahah! It isn’t dying. It is being reborn!”

And it was reborn, in short pants. Younger, leaner, easier to maintain (not as fussy about it’s baby food) and requiring far fewer oil changes.

Have I mixed enough metaphors?

The new video was born of a demand caused by the Internet, and it wasn’t always called video. Sometimes it was “Powerpoints,” or “Decks”, or “Flash shows”, or “Streaming” video. But those were just designer labels.

Wrangler or Dior, it just doesn’t cost as much to make a video, if you do it right.

You will always pay for brains. The theme. The premise. The strategy. the script. (Uh, that’s what I sell, folks.)

But when you can get a high-def camera for 250 bucks, and a a damn good editing program for 100 bucks, and a powerhouse computer off-lease at some corporate slag-heap for practically free—- well now all that matters is that you know what to do with all this firepower.

My advice is go to the best video writer / director in town and yell him you know the secret handshake and get him to work on the cheap. He may just be glad to have the business.

But barring that, and assuming your ego wants to be a part of the wonderful world of video, here’s a few ways to produce a perfectly acceptable video on the cheap.

Start by making a slide show (for more on this, go to my other website, slideshowsecrets.com.) A good slideshow has compelling still images, the occasional graphic sequence, and a great soundtrack. The secret sauce is the soundtrack. There are terrific slide show programs available like ProShow Gold from Photodex for Windows and FotoMagico for the Mac that create incredible moving still image shows that sync precisely to pre-existing soundtracks that output to video and thus create, well, video. They can upload to YouTube, your own hosted site, to a DVD, flash drive, etc.

If you’d like to be working with full motion (more precisely, if you NEED to work with full motion– to show a motion process, to use interviews that MUST be on-camera) there are terrific low-rent video editing programs on both the MAC and PC sides.

For Windows, you can’t go wrong with any of the Sony Vegas family. These allow you to mix stills, motion, graphics, and create a fully sophisticiated soundtrack all within one program. We at VideoStory have used the pro version for years.

On the MAC side, Try combining the iLife and iWork products to create a hell of an arsenal. iMovie 9 allows for simple, intuitive editing. By using the presentation program Keynote for graphcs and effects and outputting to Quicktime for inclusion in your video edit, you’ve just upped the quality quotient by 10. (Please, please, do not tell any professionals I told this to you.)

A lot of these secrets can be found in my new book. “Tribute Videos for Love & Money”, which explores ways talented people with limited knowledge and resources can make great videos. If you’d like a free pre-release copy, just email me at brienlee@slideshowsecrets.com and I will send you a free complete PDF of the book in exchange for your email address for my newsletter. It’s worth it. It’s free.

Is Traditional Film and Video Storytelling Dead?

Well, I hope not. The New York Times reports on a lab dedicated to saving the story.

Brett Favre Story Day in the Lehigh Valley (updated)

I never watched football until 1992 in Milwaukee. I had just joined Visuals Plus (the late Milwaukee slide/video/meeting company) after a two year no-compete with the guys at Tri-Marq. Two Years! I suppose that’s a backhanded compliment.

Anyway, I went on a few sales calls with John Platta, now of Media Dynamics, and all he could talk about on Monday mornings was football (which, from a sales dynamics point of view, is better than the weather.)

In order to appear savvy, I decided to watch the following Sunday. Green Bay, of course. It was the Sunday Don Makowski went down, and Brett Favre started his rise up.

I’ve been hooked these past 15 years on Favre and the Packers. Favre has a tremendous personality, back story, and, oh, yes, talent. His personality shows through his play, and, with his mentoring of this young team, expect dozens of "How to Manage like Brett Favre" business books soon. (Mark my words, Jack.)

With Favre, It’s been up and down and fun all the way.

Anyway, on foggy cable (it was installed Friday but with a diminished signal (which will be taken care of next week some time– after the game, natch) I was amazed at the amount of time ESPN spent on today’s Championship games.

They of course are trying to turn it into one big soap opera story– Favre and his family, his demons, his NFL records, his quest for excellence and a second ring; Ryan Grant’s rise to greatness and face-off today with his old teammates; the Patriots perfect record, etc.

In a press conference with Packer’s coach Mike McCarthy Sunday night, McCarthy was asked about the prospect of Grant facing his former teammates. He said something to effect of "we try not to follow the storylines…We didn’t follow the storyline today" (new Packers Coach vs. SuperBowl-winning coach Mike Holmgen.)

He was crediting, in a way, the power of  good videostory– the kind ESPN had been creating all week.

Stories are powerful, and, when good, distracting (or focusing, from my viewpoint.) McCarthy as much as said so. "We focus on the game."

And that too, for all us storytellers, is a backhanded compliment.

Go Pack.

Lehigh Valley (the general area where I am now) is today Pack Country. As Philadelphia fans, they want deperately for the Giants to lose.

Me too. Sorry, Dennis (Lee, my New York City brother.)

Brien Lee

UPDATE: My brother called last night about 10pm to apologize to me. One more year, Brett, one more year.

The Corporate Storyteller, Redux

I had a nice discussion with one of our clients yesterday, in which we discussed various executives we had worked with over the past thirty years. We agreed that those that were most effective could impact an audience by telling a story– and if they couldn’t, at least they were smart enough to create a vehicle that told the story for them.

The nature of the corporate story is that it ties current operations into past keystone events (real, apocryphal, or parable.)

The Wall Street Journal recently has been running a series of articles detailing the same thing. According to WSJ, “Corporate Storytellers” are folks who work with companies to unearth their past, particularly after years of conglomeration, buyouts, downsizing, and more. The story emphasizes the use of live narratives, even original songs, to help reinstate a sense of heritage, purpose and belonging.

Read More…

Forbes Magazine writes: “The Power of Stories”

This is the best overview of the importance to the corporate world of linear "storytelling" I’ve read.

Summary: Don’t ignore your roots. Sam Walton didn’t. Walgreens didn’t. Even technological leaders like Johnson Controls find ways to thread their wide range of current services with the products that were the foundation of the company. What were the apocryphal moments that changed your companies fortunes and could serve to inspire your employees to accept change, accept a job assignment, cooperate with a mandate, or buy into your executive vision?

Just read this. Then forward it to your execs. Suggest a call to us for a video that tells your story better than any PowerPoint could. Arm your executives for success. See our "Sell Your Vision" web pages for samples and tips.