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	<title>VideoStory News &#187; production budgets</title>
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		<title>Bad Idea #2: Not Budgeting for the Video</title>
		<link>http://videostory.com/wp/2009/06/bad-idea-2-not-budgeting-for-the-video/</link>
		<comments>http://videostory.com/wp/2009/06/bad-idea-2-not-budgeting-for-the-video/#comments</comments>
		<pubDate>Tue, 09 Jun 2009 14:52:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://videostory.com/wp/?p=201</guid>
		<description><![CDATA[f you are a corporate marketing services buyer, you might already be budgeting for video. But if you are a marketing manager, or sales manager, or fund raiser, perhaps you aren't. Meeting planner? Sometimes. Training Department. Yes, probably. Really, every situation is different.]]></description>
			<content:encoded><![CDATA[<p>If you are a corporate marketing services buyer, you might already be budgeting for video. But if you are a marketing manager, or sales manager, or fund raiser, perhaps you aren&#8217;t. Meeting planner? Sometimes. Training Department. Yes, probably. Really, every situation is different.</p>
<p>Throughout my career, I&#8217;ve heard time and time again, &#8220;We didn&#8217;t budget for this&#8230;&#8221;, as if that was sufficient justification for me to cut prices.</p>
<p>But of course, as the exception, <strong>you</strong> know it doesn&#8217;t work that way. When there&#8217;s a line item foer the kind of thing we do in your approved budget, things move along a lot faster, and without additional justification to upper management. So you&#8217;re <strong>good to go, the minute you&#8217;re ready </strong>and the demand is there. (Your bosses like to see action, after all&#8230; how does that go&#8211; &#8220;Look busy&#8221;?)</p>
<p>Budgeting a video is a tricky process, because it&#8217;s all based on the amount of footage you shoot, and the kind of footage you shoot. Controlled, short (one or two days) shoots make for controlled, reasonably fast edits&#8230; perhaps this is a new product video and it&#8217;s mostly close-up tabletop work.</p>
<p>A history of the company, or a plant tour, or an overview of the entire operation may be a different story. Multiple shooting days, or weeks, combined with a desire to tell the best story ever about OUR GREAT COMPANY, Inc., will conspire to drive the price up. <strong>Not unreasonably, mind you&#8211; it&#8217;s all about the time it takes to do the job.</strong></p>
<p>I&#8217;m convinced that professional buyers know what professional video producers and agencies need financially to do a job that meets the buyers&#8217; expectations. I&#8217;m also convinced that when the project has not been budgeted for, they will find it necessary to &#8220;negotiate&#8221;. The problem is that this <strong>may eliminate the most credible and accomplished vendors</strong>. The  buyer is willing to make that sacrifice because they don&#8217;t want to go to the boss with an unbudgeted expenditure, and the lower the expenditure, the less the job impact. But what is sacrificed?</p>
<p>What about<strong> the positive impacts on your career?</strong> When you hire the right creative video producer, you&#8217;re often on your way to having a <strong>major message impact</strong> on your company (really, call and I&#8217;ll give you examples.)  And that can mean big things for you. Budget shouldn&#8217;t get in the way. And it won&#8217;t, if you&#8217;ve thought ahead.</p>
<p>The smartest buyers I&#8217;ve worked with investigate the cost of various kinds of projects before budgets are submitted. Granted, for the production company, that might be frustrating because it can mean a 4 or 6 month wait before anything gets going. But when it gets going, you won&#8217;t be playing a game of sticker shock driven &#8221; I didn&#8217;t budget for that&#8221;, &#8220;well, maybe we can cut out some graphics&#8221;, &#8220;can you do this cheaper and we&#8217;re pay you more on the next job&#8221;, et. al.</p>
<p><strong>You can do the job that will accomplish your goals,</strong> get you applause and recognition, impact the company&#8217;s bottom line, and impact yours as well.</p>
<p><strong>That&#8217;s why we do no obligation creative proposals.</strong> We scope out the video or multimedia project or website or meeting, define as much as we can, and quote a turnkey &#8220;put it in the budget&#8221; figure.</p>
<p>You have to start somewhere. It might as well be ahead of the curve. That puts you a couple of major step closer to success.</p>
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		<title>H-P&#8217;s Extravagant Spot vs. Simple Corporate Video: Corporate Video Wins!</title>
		<link>http://videostory.com/wp/2008/07/h-ps-extravagant-spot-vs-simple-corporate-video-corporate-video-wins/</link>
		<comments>http://videostory.com/wp/2008/07/h-ps-extravagant-spot-vs-simple-corporate-video-corporate-video-wins/#comments</comments>
		<pubDate>Mon, 07 Jul 2008 08:09:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Television]]></category>
		<category><![CDATA[advertising]]></category>
		<category><![CDATA[Bob Garfield]]></category>
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		<category><![CDATA[H-P]]></category>
		<category><![CDATA[Hewlett-Packard]]></category>
		<category><![CDATA[production budgets]]></category>
		<category><![CDATA[tv spot]]></category>
		<category><![CDATA[wasted dollars]]></category>

		<guid isPermaLink="false">http://videostory.com/wp/?p=30</guid>
		<description><![CDATA[Bob Garfield, in Ad Age, compares H-P's new touchscreen computing spot with its bazillion effects (and bazillion dollar budget) with the simple corporate video which simply demos the product. The corporate video wins.
]]></description>
			<content:encoded><![CDATA[<p><a href="http://adage.com/garfield/post?article_id=128171">Bob Garfield, in Ad Age, compares</a> H-P&#8217;s new touchscreen computing spot with its bazillion effects (and bazillion dollar budget) with the simple corporate video which simply demos the product. <strong>The corporate video wins.</strong></p>
<p>Line of the piece: &quot;Is Goodby being paid by the terabyte?&quot;</p>
<p>By the way, the corporate video was produced by, or at least commissioned by the agency as well. Credit where credit is due.</p>
<p>But I bet that they still had a nice budget for that one, too. After all, they&#8217;re an agency.</p>
<p></p>
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