On Mentoring

Brien Lee

I’m a mentor. I don’t know when I figured it out, but it is what I’ve been doing most of my life.

I’ve been the owner, creative director and head writer for three of my own companies, and people working at those companies left a lot smarter than when they came in. (Of course, one thing they may have learned is “I’ll never work for that guy again!”)

I’ve taught creative theory, writing, direction, sound design, industrial theater techniques, short and long form video editing, and much more.

My past employees have gone on to success– some running their own creative companies of note and accomplishment.

I’ve helped clients improve their communications efforts, taught both the creative and technical at workshop and university levels, and started friends, relatives and customers on their way to achieving their dreams of being writers, producers, and entrepreneurs.

And this is what I want to do now that I’ve relocated to the New York / New Jersey metro area. Teach. Cajole. Foster learning by doing. Create a few success stories.

You’ll soon see more about this on my various websites– videostory.com, videostorysecrets.com, moderngeezer.com, and avsquad.com (I think that’s all of ‘em.)

I plan on offering a lot of quick-start knowledge for free. Some podcasts, some tutorials, reviews and recommendations, and some running off at the mouth.

It’s taken a while to settle down. Now it’s time to saddle up!

Sincerely,

Brien Lee

Norman Rockwell, Creative Director

The relationship of the well staged and photographed still image to creative direction in advertising and video / film is no more evident than in this article about Norman Rockwell from Photo District News.

Before he ever committed paint to canvas, he set up intricate photoshoots. These were as professional as any video or film shoot, and included casting, set design, lighting, and the directing of talent and expression.

It raises my estimation of Rockwell, perhaps because it makes clear that he wasn’t working from swipe files, but was in fact creating his own masterful photographic tableau’s. Take a look at the comparison of Rockwell photo to Rockwell painting. Each has their own genius.

He picked the right people. He directed the right expressions. He positioned them in a still life pose that rivaled the best photographers and painters.

Then, on canvas, he filled in the details, adjusted, added, enhanced, reimagined and yes, photo-realistically replicated what he had previously created in black and white.

It was quite a process. Probably not unique. But a definite unraveling of a great artistic process.

We need to imagine our own work in video and print as well as Rockwell did his. Great motion is made up of great moments.

Related articles by Zemanta

• Video Painting (buzzfeed.com)
• David Kamp on Norman Rockwell (vanityfair.com)