Archive for brien lee

The Art of the Interview: How to be Invisible

Interviewing for an audio-visual enterprise is an ancient art.

In a good documentary, the star of the interview is the person being interviewed. The interviewer is typically off-camera, and if the interviewer is really good, you’ll never see them or hear them speak. Why?

They ask questions that get full answers.

The art of the interview has been bastardized by today’s TV performer who wants not only to look handsome or pretty, but also smart. So they ask a lot of rapid fire questions. They’ve only got a minute, and they are thinking Emmy. So these questions contain major hints at the answer the interviewer is looking for.

Interviewer: Tell me about how horrible you must feel now that you’re house has burned down?

Interviewee: I feel bad.

Well, yes. But it can be worse. I often hear local cable interviewers ask the question this way:

Interviewer: The fact that your house burned down must make you feel awfully bad, doesn’t it?

Interviewee: Yes, yes it does.

Interviewer: How bad?

Interviewee: pretty bad.

Pretty bad, indeed.

In a corporate long form documentary style video, an ideal scenario is the video that can be “narrated” solely by the interviewees, through their own words, in complete and meaningful sentences. Suffice it to say that this is hard work. You must ask the right questions in the right fashion and then have the editing chops to put it together into a compelling narrative that has a beginning, middle, climax, and end. The interviewee will not be a talking head on camera, so you have no excuse to make your interviews TV style, where editing would cause unsightly jump cuts (therefore giving the producer an excuse to edit less. More gross profit!)

Some producers will pretend that TV style interviews are the right way to sell business-to-business products and services. That’s ridiculous. Looking at two talking heads blathering on without b-roll, music, or story is an absolute waste of a company’s dollars. That producer has no intention of working for his or her money.

We believe in interview style videos, just as surely as we believe in unstaged actualities to convince audiences of a product’s quality or a company’s intent or philosophy.

Yes, it takes longer, and it costs a bit more. But the shelf life can be very long, and the impact multi-tiered. Its a technique that works at meetings, or on the web. Consider this technique for your next video.

An example can be found by clicking on the image below.

Excerpt from Corporate Founder Story Video

Excerpt from Corporate Founder Story Video

Video Viewing for a Happy July 4th (Part 2)

Video Viewing for a Happy July 4th (Part 1)

Video in Emails ups Click-Through Rates 2-3X

Here’s some research published on MarketingVox that states that using a video in your email will up clickthroughs by 2 to 3x. Yes, many isp’s and corporate nets block videos in email, but there are plenty of ways to get around that without upsetting the IT department masters. Read more here, and call us at 908-213-8705 if you’d like to try it out for yourself. It’s an inexpensive investment that can triple your direct email effectiveness.

Bad Ideas #1: Defining an Open Creative Position by the Equipment that Should be Used

I was sent a help wanted listing by a business associate recently. They thought I’d get a kick out of it because it was for a listing for a video producer position at a business that makes products that I love (I can’t go into any more detail than that out of fairness for all parties involved.)

No, I’m not looking– but since I have done my share of hiring in the past few decades I am always curious as to the expectations set by help wanted ads for creatives.

Let’s forget for a second the impossible expectations and laughable language used in such ads (“Must eat, breath and live advertising”; “You don’t think outside the box, you are the box”, etc.

What interests me is that in a video and web driven world, creativity is often defined not by writing, design or storytelling capability, but instead by the software and hardware employed.

This ad said (paraphrased), “Video producer wanted to produce web videos for our catalog pages and web site. Knowledge of Adobe Premiere, Photoshop, and After Effects required.”

Uh… why? Does a knowledge of these particular programs guarantee that you know the basics of design, writing, creative direction, photography, photo touch-up, shooting and editing?

This was followed by “Windows platform preferred.”

I can see the Windows platform (or Mac platform) preference as perhaps reasonable, since the company may have standardized on and invested in plenty of hardware that is single platform centric. That’s a business decision.

But eliminating perhaps 70% of your creative applicants because they use some other software than what you like or know is like a curator at the Met, MOMA, or Guggenheim who only hangs paintings that use a #12 Kolinsky Red Sable Art Brush.

The talented and driven can and will adapt to almost any software or hardware. That’s easily learned. What can’t easily be learned is what is done with the tools, whether they are using typewriters, yellow legal pad, or Final Cut Pro or Microsoft Word or Final Draft.

It’s the story, stupid. And that’s the basis on which you should hire.

The Swine Flu: If It Comes Back, I’ve Got a PSA Ready.

Once upon a time, there was the swine flu epidemic. Well, almost.

It came in the mid-seventies– documented cases of the swine flu.

(Now,it may be coming around again. Let’s hope we avert it.)

For  the ’70′s version we were hired by the State of Wisconsin to produce Public Service Announcements warning of the potential tragedies of the imminent swine flu, and urging people to get flu shots.  Problem was simply that no one had ever heard of a swine flu, and those that had, well, they thought “Swine Flu” sounded pretty funny.

People weren’t paying enough attention, and it was our job to get attention.

First, we did a spot featuring an interview from a survivor of a real swine flu epidemic in the 1920′s. We did another with a couple of Green Bay Packers doing some locker room talk about “taking out” the swine flu (this was before the Reggie White / Brett Favre Packers, and ten years after the Lombardi era.)

Finally, came my turn. I decided that we had to emphasize the risks of not getting a flu shot. To do this, I featured a gambler, standing under the proverbial 5000 lb weight which was hanging from a rope.

Here’s a foggy copy of what transpired.


Swine Flu PSA: The Gambler from brienlee on Vimeo.

I can tell you this: at the end of that 30 seconds, I was scared. I thought I had killed the talent, Larry Roscioli. So did the crew members at WTMJ-TV4 in Milwaukee.

Luckily Larry emerged from the studio smiling and asking, “Need another take?”

No. But I did need a drink.

Which is why I don’t remember whether I got my flu shot or not.

Tribute Example 1: Family History

This family history DVD  was created as a Christmas gift from parents to their sons and daughter and their childrens’ children. What an amazing and thoughtful gift. While it preserves photos and especially 8mm films that had not been seen in decades, the larger story is the interviews from the parents that pepper the story. This excerpt hopefully will give you the flavor of a compelling, lasting keepsake not possible in any other way.

The Day the Music Died– or Did It?

The New York Daily News has an excellent article assessing the impact of the plane crash 50 years ago today that took the lives of three of rock and roll's brightest.

SuperBowl AdBowl Review with Ad Age’s Bob Garfield plus My 5 cents

Bob Garfield's review (videoblog) here.

My choices? The Bob Dylan then and now themed Pepsi Spot, and the Monster.com spot. The Hyundai ad was the most sensitive to today's economic situation done with panache and sincerity; Budweiser pretty much wore me out (although the office ad was cool– didn't know you could drink beer at lunchtime, though.) And the touted remake of Mean Joe Green was confusing. The Taco bell ad? Uh, why did he introduce his parents to his date in another restaurant? 

But Springsteen, the E-Street Band, and Little Steven— they, well, rocked.

More Online Viewers Watching More Hours

According to Cnet,

Americans appear to be getting more comfortable watching videos online–and Google is the clear winner.

Internet users in the U.S. watched 12.7 billion online videos in November, an increase of 34 percent versus a year ago, according to numbers released Monday by market researcher ComScore.

Thanks to YouTube, Google Sites retained the crown as the top U.S. video property with nearly 5.1 billion videos viewed–or about 40 percent of all videos viewed online–with the video-sharing site accounting for more than 98 percent of Google’s traffic. Fox Interactive Media was a distant second with 439 million videos watched (or 3.5 percent), followed by Viacom Digital with 325 million videos watched (2.6 percent).

The data also showed that 77 percent of all U.S. Internet users had viewed online videos in 2008, and that the average online video viewer watched 273 minutes of video.”

DSL and Cable modem are becoming the norm for most small businesses, and large businesses have been there for a long time.

Video is more compelling than any text or plain flash presentation.

It just makes sense to use a medium that can be amortized so many different ways.

It’s the pure minimum in a web 2.0 world.